Digital Cameras
Casio stuffs backlit CMOS sensors in Exilim EX-FC150 and EX-FH25 superzoom
0Casio’s usual Exilim fare might struggle to engender a second look from the weary-eyed camera cognoscenti, but a few of the company’s models do feature an attention-grabbing 1,000fps shooting mode (albeit at a relatively useless 224 x 64 resolution). A pair of those speedy shooters, the EX-FC100 and EX-FH20, have today been ever so gently upgraded with a set of new name badges and mildly improved performance. (more…)
Trust in Casio’s Japanese Exilim EX-FS10S, it’ll turn your bogeys into birdies
0Sure, we could rattle off a list of specs — and if you’re curiuos, it’s a 9.1 megapixel sensor with 3x optical zoom and 720p video — but you know what’s really gonna have Casio’s Exilim EX-FS10S flying off shelves? The ability to stand it behind your tee and show you exactly how you screw up your swing, with special help of the company’s trademark 1000 frames per second burst mode. The catch is, while the EX-FS10 is already available in US, only the Japanese model seems to have your golf buddy. Bummer.
Big Shot camera kit could help turn your kid on to the dark world of the teardown
0Pardon us while we freely admit that we have literally no idea what’s going on inside a camera — whether it’s digital or those quaint film-based ones you hear about from your grandma. Luckily, our own kids might not have to suffer as we have: a group at the Computer Vision Laboratory at Columbia University have designed and built a prototype digital camera that should demystify the devices. The Big Shot digital camera kit, if / when it hits the market, will be a box of all the necessary parts for kids to be able to build their own simple, candy-colored digital camera. While the Big Shot is still in prototype testing phase, we really hope this gadget (and more like it) makes it to the market sometime soon.
Ricoh GXR camera system swaps out the sensor along with the lens
0Ricoh‘s been getting some love on its spendy GR series of late, but this new direction for what’s apparently slated to debut as a new “GXR” system is a wild one indeed. Basically, the camera comes in two parts, a body with an LCD, storage and accessory shoe (which works with an electronic viewfinder), and different lens / sensor combos which can be slotted into the body. Interestingly (and perhaps to prove the point), the first two lenses and sensors that Ricoh is announcing are widely different, with a 24-70mm lens on top of a 10 megapixel CCD sensor that can shoot VGA video retailing for £300 (about $500 USD), while a 50mm macro lens with a CMOS sensor that can do HD video goes for £600 (about $1,000 USD). Pluses to this system include the fact that there’s nowhere for dirt to get on the sensor or inside the lens, size advantages over micro four thirds counterparts, and of course the glass and electronics can theoretically be optimally paired. The body itself will go for £420 (about $700 USD), which puts an entire setup rather up there price-wise, even without that wild British Pounds-to-dollars conversion rate. The system is supposed to be available in December. Video explaining the system was pulled by review site Which.co.uk, who seems to have broken the official release date, but hopefully we’ll have more official word on this from Ricoh soon.
Canon EOS 7D gets high marks all around
0Canon’s EOS 7D is a pretty grandiose piece of image-recording equipment, whether you’re talking about its size, features or price. You’re probably aware of the 18 megapixel APS-C sensor and dual DIGIC 4 processors already, but we’ve all had to be a bit more patient than usual in waiting for the pro reviews to come out. Dpreview doesn’t disappoint though, with a thoughtful 31-page tome awaiting the keen reader, and we’ve also got more digestible video reviews from DPhoto Journal for the less patient among you. If you’re after direct comparisons against competing models, such as the Nikon D300s, you’ll find those sprinkled in among the reviews as well, with Cameratown throwing in a direct head-to-head with Canon’s own 5D Mark II. The 7D was found to produce “virtually no visible noise” all the way up to ISO 1600, and scored further points for its gorgeous 100 percent frame-covering viewfinder and fast 19-point AF. With a weather-sealed, highly ergonomic body design, ridiculously fast processing and a sensor so good that “in most situations the lens, rather than the camera, is likely to be the limiting factor,” the only thing reviewers could criticize was the somewhat uncompetitive pricing, but that’s likely to soften with time anyway. Read on… if you dare.
Leica X1 photo gallery proves that big shots do come in little packages
0For those who’ve never really understood the mystique and allure surrounding Leica‘s retro-styled cameras (and their stratospheric price tags), here’s a gallery of shots that might just lend a little insight into the fixation. The outfit’s X1 was announced back in September, though initial shipments aren’t expected to begin across the pond until early 2010. That said, the shutterbugs over at dpreview managed to procure one ahead of time, and they’ve hosted up a cornucopia of sample images from the currently unpriced compact. Go on and give that read link a look if your interest in piqued — we’re guessing you’ll come away wishing your SD200 could produce similar results.
Sony Cyber-shot DSC-TX1 scores mixed reception
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By now you should be thoroughly familiar with Sony’s Party-shot-loving and almost unreasonably svelte TX1 compact shooter. Its headline features — 720p movie mode and better low light performance courtesy of the Exmor R sensor — have now been put to the test and we’re here with the scorecard ready to spill the results. Reassuringly, all reviewers found image quality to be excellent for the camera’s size class, and the TX1 even outperformed its peers by keeping noise comfortably in check all the way up to ISO 800. A 1cm (or 0.4-inches for you heretics) Macro mode was another highlight, though criticisms did rain down on issues of lens distortion, a fiddly touchscreen menu that was too prone to accidental activation, and an uncompetitive price point. Of course, your biggest draw here might still be the optional (and spendy) party dock, but the thorough reviews below at least give you the chance to pretend like you’re buying this camera for the image quality alone.
Canon EOS-1D Mark IV lands for a pre-production hands-on
0We’ve already seen some sample footage from Canon’s new professional EOS-1D Mark IV DSLR (and should be seeing plenty more come December), but a pre-production version of the camera has now turned up at the Canon Pro Photo Solutions 09 show in London, and TrustedReviews managed to get an early hands-on with it. As you might expect, the camera definitely seems to impress in person, with the 1.2 kilogram body providing a feeling of “solid reliability and competence,” while its ergonomics also apparently represent a more subtle but welcome improvement over previous Canon offerings. Unfortunately, the folks at TrustedReviews weren’t able to share any sample shots, but they did get a chance to try out the camera’s 45-point autofocus system, which is said to be “extremely fast,” and its tracking function reportedly had no trouble focusing even in dark, low contrast situations with a 400mm telephoto lens. Hit up the link below for a few more hands-on shots and impressions.
RED DSMC specs detailed, prices start at $28,000 for EPIC-X, lower-end Scarlet still vague
0Here we are at last. RED has finally dropped the full specs of at least one its “Digital Stills and Motion Cameras.” And what did you expect? RED has naturally blown this thing out. The first camera to be released will be the insanely high-end EPIC-X, which will come out in four stages and retails for $28,000 (ouch). A pre-production “TATTOO” version will hit this year, followed by a production model for pre-existing RED owners next year, a release after that for RED trade-ins and then finally a widespread release. Meanwhile the Scarlet 2/3-inch camera (which is much more akin to current video-shooting DSLRs, though it doesn’t have a full frame sensor) hasn’t been given a price range or a release window, but promises to please with dual XLR inputs, electronic lens interoperability with RED, Canon and Nikon lenses (adapters required) and 1080p shooting at 60 fps. One great function shared between the cameras is the ability to operate the camera with a touchscreen and perform “touch focus tracking.”
Pentax’s entry-level K-x DSLR receives glowing review
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Pentax’s K-x has been shipping in various corners of the globe (in various hues) for a hot minute now, but at long last the entry-level DSLR has found itself on the test bench. The good folks over at Tech Radar were able to take the $650 shooter for a spin, and with few exceptions, they absolutely adored it. Image quality was deemed fantastic, and without qualification, that’s easily the most important aspect of a camera. Critics also appreciated the build quality, rear LCD and ergonomics, though they did note that the 720p movie mode was “hit and miss.” They found it to be a good fit for novices and amateurs, and while they did feel that it was somewhat less comfortable to wield than Nikon’s D5000, they still maintained that it’ll be a great bargain when the street price falls just a bit. Tap the read link for the full skinny — but only if you feel compelled.
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